{"id":9371,"date":"2019-07-04T23:55:52","date_gmt":"2019-07-04T16:55:52","guid":{"rendered":"http:\/\/arkipel.org\/?p=9371"},"modified":"2019-08-12T20:53:18","modified_gmt":"2019-08-12T13:53:18","slug":"arkipel-bromocorah-international-competition-28-films","status":"publish","type":"post","link":"https:\/\/arkipel.org\/arkipel-bromocorah-international-competition-28-films\/","title":{"rendered":"ARKIPEL bromocorah – International Competition: 28 Films"},"content":{"rendered":"[vc_row][vc_column][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1562277231580{margin-bottom: 0px !important;}”]Ia hidup dalam ruang imamat di sebuah lahan usang. Ketidaktahuan tentang bahasa yang mendaulat dari rezim yang lalu, justru memberinya keberanian untuk menuturkan kisahnya sendiri dengan memakai peranti warisan dari seorang Begawan dari masa lampau. Keberanian dari ketidaktahuan tersebut menghasilkan sebuah pergeseran resam yang menjadi keniscayaan baru.<\/p>\n

Baginya, menggenggam peranti Sang Begawan adalah kesempatan baik untuk mengungkap narasi kecil miliknya yang selama ini terpendam di dalam tanah, di saat Sang Begawan beranjak tua dan menjadi renta.<\/p>\n

Saat dia berjalan mengelilingi lahan usang sambil meneladan gerak kuasa Sang Begawan tua, sungguh terasa menyenangkan, saat ia melakukannya dalam gestur yang ia dan kaumnya pahami saja. Keleluasaan memungkinkannya untuk berintimasi dengan semua ruang dan batas-batas, sambil abai pada kaidah lama yang selalu menahan diri.<\/p>\n

Sementara, kabar tentang wajah renta sang Begawan yang kini menjadi kelabu tersiar dengan begitu cepat hingga ke rantau-rantau. Wajah itu memudar, beriringan dengan memudarnya angka-angka, struktur, dan ruang tempat di mana dugaan-dugaan dirumuskan menjadi bukti yang terukur. Meneladan peranti dan otoritas Sang Begawan segera menjadi hasrat baru dalam sudut-sudut sosial yang penuh dengan sekat. Peranti cerdik dan rasa dominan milik Sang Begawan kini menerabas kekakuan sekat-sekat yang dimapankan oleh ajaran Sang Begawan itu sendiri.<\/p>\n

Akhirnya dia tiba pada satu ruang terbuka di mana ia tidak lagi melakukan uji coba untuk memecahkan kebenaran atau kesalahan. Yang dilakukannya adalah memuja keyakinan diri tentang \u201csubordinat\u201d yang menjadi \u201cdominan\u201d karena diterangi oleh cahaya yang terproyeksi dari peranti Sang Begawan, walau bayang-bayang Sang Begawan terus memunculkan dirinya berulangkali. Namun ia tetap meyakininya dengan segenap hati. Ia yang teguh itu bernama Mutan.[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1562277379093{margin-bottom: 0px !important;}”]He has been living in the priesthood in a dumpy estate. His blindness towards language, derived from the past reigns, has gifted him the courage to tell his own stories through the device he inherited from the old priest from the past. The courage that sprung out of his illiteracy has given rise to a shift to new courtesy to become the sine qua non.<\/span><\/p>\n

To him, holding the Priest\u2019s device is a good chance to reveal his small narrative that has long been buried in the ground, while The Priest grows older and more senile.<\/span><\/p>\n

Circling around the dumpy estate, while mimicking the old Priest\u2019s gestures of authority, it looks enchanting, moreover when he translates them into gestures understandable only by him and his folks. Flexibility enables him to reach out the space and boundaries intimately, while abandoning the old miser conventions.<\/span><\/p>\n

Meanwhile, the senile face of the Priest fades away, the news spreads quickly across to other shores. The face fades away, along with the fading of numbers, structures, and spaces where conjectures were formulated as the proof, mathematically. Mimicking the Priest\u2019s device and authority has becoming a new desire that sways through the well-divided social corners. The smart device and the sense of dominance which were belong to the Priest, now are able to break through the rigid boundaries established by the Priest\u2019s own sermon.<\/span><\/p>\n

Eventually, he arrives at an open space where he no longer needs to figure out to resolve the truth or falsity. What he is doing now is worshipping upon the self-belief on the \u201csubordination\u201d which has grown into \u201cdomination\u201d, illuminated by the lights projected from the Priest\u2019s device, even though the Priest\u2019s shadow keeps showing himself up over and over. Nevertheless, he keeps holding his own faith wholeheartedly. He, the devoted one, the Mutant.<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider][mk_ornamental_title font_family=”none”]\n

International Competition<\/strong><\/h2>\n[\/mk_ornamental_title][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1563436819401{margin-bottom: 0px !important;}”]\"\"<\/p>\n

Bocamina \/ Pithole <\/b><\/em>(2018), Miguel Hilari
\nBolivia, Spanish, 22 minutes, color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

What Remains<\/em> <\/b>(2018), Belit Sa\u011f
\nTurkey, 7 minute, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Weirdloop <\/b><\/em>(2018), Alexander Cooper
\nUK, 131 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Tupinamb\u00e1 Lambido <\/b><\/em>(2018), Lucas Parente,
\n<\/i>Brazil, 10 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

The Trial (N\u00b02) <\/b><\/em>(2019), Bouge Alexandra
\n<\/i>France, 13 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

The Satan\u2019s Horn <\/b><\/em>(2019), Mohammad Hadi Ghorbani
\nIran, 62 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

The Plato <\/b><\/em>(2019), Mohammad Ghanbari
\nIran, 69 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

The Love of Statues <\/b><\/em>(2019), Peter Samson
\nUK, <\/i>20 minutes, Black & White<\/p>\n

—<\/p>\n

 <\/p>\n

\"\"The Future Cries Beneath Our Soil <\/b><\/em>\/ M\u00f9a C\u00e1t V\u1ecdng <\/span><\/em>(2018), <\/span>Pham Thu Hang
\n<\/i>Vietnam, 96 minutes, color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Stones <\/b><\/em>\/ Steine <\/span><\/em>(2018), J\u00f6rn Staeger
\nGermany, 7 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Space Memory <\/b><\/em>\/ Memoria del Espacio <\/span><\/em>(2018), Rodrigo Noya
\nArgentina, <\/i>10 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Saturation <\/b><\/em>(2019), Perrine Li\u00e9vois
\nFrance, 29 menit, Black & White<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Sapu Angin <\/b><\/em>\/ Windswept<\/em> (2017), Cahyo Prayogo
\nIndonesia, 5 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Real Time History <\/b><\/em>(2018), Foundland Collective
\n<\/i>Syria, 22 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Memento Stella <\/b><\/em>(2019), Takashi Makino
\nJapan, 60 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Liquid Traits of an Image Apparatus <\/b><\/em>(2019), Vera Sebert
\n<\/i>Austria, 7 minutes, Black & White<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Last Night I Saw You Smiling <\/b><\/em>\/ Yub Menh Bong Keunh Oun Nho Nhim<\/em> (2018), <\/span>Kavich Neang
\nCambodia, 78 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Dulcinea <\/b><\/em>(2018), Luca Ferri
\n<\/i>Italy, 64 menit, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Distant Tropics <\/b><\/em>\/ Tr\u00f3picos distantes <\/span><\/em>(2018), Marcelo Costa
\n<\/i>Brazil, 35 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Come to Me Paradise <\/b><\/em>\/ Lumapit Sa Akin<\/em>, Paraiso <\/em><\/span>(2017), Stephanie Comilang
\n<\/i>Canada, 25 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Chinafrika.mobile <\/b><\/em>(2018), Daniel K\u00f6tter
\n<\/i>Germany, 38 minutes, color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Chairs <\/b><\/em>(2018), Avner Pinchover
\n<\/i>Israel, 11 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Centar <\/b><\/em>(2018), <\/span>Ivan Markovi\u0107
\n<\/i>Serbia, 48 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

C\u00e1mara Oscura <\/strong><\/em>(2017), Javier Miquelez
\n<\/em>Argentina, 61 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Big Brother Hui <\/b><\/em>(2019), Feng Yangyang
\n<\/i>China, 79 minutes, Color<\/p>\n

—<\/p>\n

 <\/p>\n

\"\"And What is The Summer Saying <\/b><\/em>(2018), Payal Kapadia
\n<\/i>India, 23 minutes, Black & White<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Adegan Yang Hilang Dari Petrus <\/b><\/em>(2019), Arif Budiman
\n<\/i>Indonesia, 5 minutes, Color<\/p>\n

—<\/p>\n

\"\"<\/p>\n

Absent Wound<\/strong><\/em> (2018), <\/span>Maryam Tafakory
\n<\/i>Iran, 10 minutes, Color<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

Akhirnya dia tiba pada satu ruang terbuka di mana ia tidak lagi melakukan uji coba untuk memecahkan kebenaran atau kesalahan. Yang dilakukannya adalah memuja keyakinan diri tentang \u201csubordinat\u201d yang menjadi \u201cdominan\u201d karena diterangi oleh cahaya yang terproyeksi dari peranti Sang Begawan, walau bayang-bayang Sang Begawan terus memunculkan dirinya berulangkali. Namun ia tetap meyakininya dengan segenap hati. Ia yang teguh itu bernama Mutan.<\/p>\n","protected":false},"author":1,"featured_media":9445,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[309,532,344],"tags":[526,528],"jetpack_publicize_connections":[],"yoast_head":"\nARKIPEL bromocorah - International Competition: 28 Films — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/arkipel-bromocorah-international-competition-28-films\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ARKIPEL bromocorah - International Competition: 28 Films — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"Akhirnya dia tiba pada satu ruang terbuka di mana ia tidak lagi melakukan uji coba untuk memecahkan kebenaran atau kesalahan. Yang dilakukannya adalah memuja keyakinan diri tentang \u201csubordinat\u201d yang menjadi \u201cdominan\u201d karena diterangi oleh cahaya yang terproyeksi dari peranti Sang Begawan, walau bayang-bayang Sang Begawan terus memunculkan dirinya berulangkali. Namun ia tetap meyakininya dengan segenap hati. 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