{"id":88,"name":"Margot Benacerraf","url":"","description":"<div class=\"column col-12\">Salah satu sineas paling disegani di Amerika Latin, sutradara Venezuela Margot Benacerraf (Caracas, 1926) sesungguhnya hanya membuat dua karya: <i>Rever\u00f3n<\/i> (1952) dan <i>Araya<\/i> (1959). Keduanya dokumenter. Pada 1966 Benacerraf mendirikan Perpustakaan Film Cinemateca Nacional di Venezuela dan pada 1991 \u2013dengan bantuan sastrawan Kolombia Gabriel Garc\u00eda M\u00e1rquez\u2014membentuk yayasan Fundavisual Latina untuk mendorong sinema Amerika Latin. Pada 2012 Universidad Central de Venezuela meresmikan perpustakaan video atas namanya sebagai langkah awal pembuatan Pusat Penelitian Film dan Televisi Margot Benacerraf.<\/div>\r\n<div class=\"column col-12 last\"><span style=\"color: #666699;\">One of the most respected cineastes in Latin America, Venezuelan director Margot Benacerraf (born in Caracas, 1926) only made two films: <i>Rever\u00f3n<\/i> (1952) and <i>Araya<\/i> (1959). Both are documentaries. In 1966, Benacerraf founded a Cinemateca Nacional Film Library in Venezuela, and in 1991 \u2013with the help of Colombian writer Gabriel Garc\u00eda M\u00e1rquez\u2014founded Fundavisual Latina, a foundation to promote Latin American cinema. In 2012, Universidad Central de Venezuela officiated a video library in his honor as well as an initial step towards the establishment of the Margot Benacerraf Center for Film and Television Research.<\/span><\/div>","link":"https:\/\/arkipel.org\/people\/margot-benacerraf\/","slug":"margot-benacerraf","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/875f5544386e32b3a527b84c820c1aa1?s=24&d=mm&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/875f5544386e32b3a527b84c820c1aa1?s=48&d=mm&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/875f5544386e32b3a527b84c820c1aa1?s=96&d=mm&r=g"},"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Margot Benacerraf, Author at ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/people\/margot-benacerraf\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Margot Benacerraf, Author at ARKIPEL\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/people\/margot-benacerraf\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arkipel.org\/wp-content\/plugins\/ultimate-member\/assets\/img\/default_avatar.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\/\/arkipel.org\/people\/margot-benacerraf\/\",\"url\":\"https:\/\/arkipel.org\/people\/margot-benacerraf\/\",\"name\":\"Margot Benacerraf, Author at ARKIPEL\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/#website\"},\"breadcrumb\":{\"@id\":\"https:\/\/arkipel.org\/people\/margot-benacerraf\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/arkipel.org\/people\/margot-benacerraf\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/arkipel.org\/people\/margot-benacerraf\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/arkipel.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Margot Benacerraf\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/arkipel.org\/#website\",\"url\":\"https:\/\/arkipel.org\/\",\"name\":\"ARKIPEL\",\"description\":\"Jakarta International Documentary and Experimental Film Festival\",\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/arkipel.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/arkipel.org\/#organization\",\"name\":\"Arkipel\",\"url\":\"https:\/\/arkipel.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"width\":901,\"height\":351,\"caption\":\"Arkipel\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/arkipel.festival\/\",\"https:\/\/x.com\/arkipel\",\"https:\/\/www.instagram.com\/arkipel\/\",\"https:\/\/www.youtube.com\/channel\/UCr6MA0fZypBs9tHpfNa3vVQ\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/67a237b26fc5ef6455f52e629a22e95e\",\"name\":\"Margot Benacerraf\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/875f5544386e32b3a527b84c820c1aa1?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/875f5544386e32b3a527b84c820c1aa1?s=96&d=mm&r=g\",\"caption\":\"Margot Benacerraf\"},\"description\":\"Salah satu sineas paling disegani di Amerika Latin, sutradara Venezuela Margot Benacerraf (Caracas, 1926) sesungguhnya hanya membuat dua karya: Rever\u00f3n (1952) dan Araya (1959). Keduanya dokumenter. Pada 1966 Benacerraf mendirikan Perpustakaan Film Cinemateca Nacional di Venezuela dan pada 1991 \u2013dengan bantuan sastrawan Kolombia Gabriel Garc\u00eda M\u00e1rquez\u2014membentuk yayasan Fundavisual Latina untuk mendorong sinema Amerika Latin. Pada 2012 Universidad Central de Venezuela meresmikan perpustakaan video atas namanya sebagai langkah awal pembuatan Pusat Penelitian Film dan Televisi Margot Benacerraf. One of the most respected cineastes in Latin America, Venezuelan director Margot Benacerraf (born in Caracas, 1926) only made two films: Rever\u00f3n (1952) and Araya (1959). Both are documentaries. In 1966, Benacerraf founded a Cinemateca Nacional Film Library in Venezuela, and in 1991 \u2013with the help of Colombian writer Gabriel Garc\u00eda M\u00e1rquez\u2014founded Fundavisual Latina, a foundation to promote Latin American cinema. 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Keduanya dokumenter. Pada 1966 Benacerraf mendirikan Perpustakaan Film Cinemateca Nacional di Venezuela dan pada 1991 \u2013dengan bantuan sastrawan Kolombia Gabriel Garc\u00eda M\u00e1rquez\u2014membentuk yayasan Fundavisual Latina untuk mendorong sinema Amerika Latin. Pada 2012 Universidad Central de Venezuela meresmikan perpustakaan video atas namanya sebagai langkah awal pembuatan Pusat Penelitian Film dan Televisi Margot Benacerraf. One of the most respected cineastes in Latin America, Venezuelan director Margot Benacerraf (born in Caracas, 1926) only made two films: Rever\u00f3n (1952) and Araya (1959). Both are documentaries. In 1966, Benacerraf founded a Cinemateca Nacional Film Library in Venezuela, and in 1991 \u2013with the help of Colombian writer Gabriel Garc\u00eda M\u00e1rquez\u2014founded Fundavisual Latina, a foundation to promote Latin American cinema. 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