{"id":89,"name":"Fernando P\u00e9rez","url":"","description":"
(Havana, 1944) mempelajari sastra di Universidad de la Habana, lalu menjadi jurnalis di Angola dan Nikaragua selama 1970an, selain menulis kritik film untuk majalah Cine Cubano<\/i>. Karya-karya sinematik awalnya adalah dokumenter pendek, tapi pamor internasionalnya mulai menjulang lewat filem fiksi Clandestinos <\/i>(1988). Sesudah tiga lagi filem fiksi, P\u00e9rez kembali ke dokumenter lewat Suite Habana <\/i>(2003), yang bisa dibilang filem terbaik dan tersuksesnya sampai saat ini. Filem-filem P\u00e9rez berkutat dengan persoalan kemasyarakatan Kuba terutama Havana, khususnya periode pasca-Soviet.<\/div>\r\n
(Born in Havana, 1944) studied literature at Universidad de la Habana then become a journalist in Angola and Nicaragua during 1970s, aside from writing film criticism for Cine Cubano<\/i> magazine. His early cinematic works were short documentaries, but his international reputation started with his fiction film Clandestinos <\/i>(1988). After finishing three more fiction films, P\u00e9rez returned to documentary with his work Suite Habana <\/i>(2003). The film is considered to be his best and most successful film until today. P\u00e9rez\u2019s films revolve around issues of Cuban society especially Havana in the post-Soviet period.<\/span>\r\n<\/span><\/div>\r\n ","link":"https:\/\/arkipel.org\/people\/fernando-perez\/","slug":"fernando-perez","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=24&d=mm&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=48&d=mm&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=96&d=mm&r=g"},"meta":[],"yoast_head":"\nFernando P\u00e9rez, Author at ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/people\/fernando-perez\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Fernando P\u00e9rez, Author at ARKIPEL\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/people\/fernando-perez\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arkipel.org\/wp-content\/plugins\/ultimate-member\/assets\/img\/default_avatar.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\/\/arkipel.org\/people\/fernando-perez\/\",\"url\":\"https:\/\/arkipel.org\/people\/fernando-perez\/\",\"name\":\"Fernando P\u00e9rez, Author at ARKIPEL\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/#website\"},\"breadcrumb\":{\"@id\":\"https:\/\/arkipel.org\/people\/fernando-perez\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/arkipel.org\/people\/fernando-perez\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/arkipel.org\/people\/fernando-perez\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/arkipel.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Fernando P\u00e9rez\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/arkipel.org\/#website\",\"url\":\"https:\/\/arkipel.org\/\",\"name\":\"ARKIPEL\",\"description\":\"Jakarta International Documentary and Experimental Film Festival\",\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/arkipel.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/arkipel.org\/#organization\",\"name\":\"Arkipel\",\"url\":\"https:\/\/arkipel.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"width\":901,\"height\":351,\"caption\":\"Arkipel\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/arkipel.festival\/\",\"https:\/\/x.com\/arkipel\",\"https:\/\/www.instagram.com\/arkipel\/\",\"https:\/\/www.youtube.com\/channel\/UCr6MA0fZypBs9tHpfNa3vVQ\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/76cc45da372e894a51eb76110b129509\",\"name\":\"Fernando P\u00e9rez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=96&d=mm&r=g\",\"caption\":\"Fernando P\u00e9rez\"},\"description\":\"(Havana, 1944) mempelajari sastra di Universidad de la Habana, lalu menjadi jurnalis di Angola dan Nikaragua selama 1970an, selain menulis kritik film untuk majalah Cine Cubano. Karya-karya sinematik awalnya adalah dokumenter pendek, tapi pamor internasionalnya mulai menjulang lewat filem fiksi Clandestinos (1988). Sesudah tiga lagi filem fiksi, P\u00e9rez kembali ke dokumenter lewat Suite Habana (2003), yang bisa dibilang filem terbaik dan tersuksesnya sampai saat ini. Filem-filem P\u00e9rez berkutat dengan persoalan kemasyarakatan Kuba terutama Havana, khususnya periode pasca-Soviet. (Born in Havana, 1944) studied literature at Universidad de la Habana then become a journalist in Angola and Nicaragua during 1970s, aside from writing film criticism for Cine Cubano magazine. His early cinematic works were short documentaries, but his international reputation started with his fiction film Clandestinos (1988). After finishing three more fiction films, P\u00e9rez returned to documentary with his work Suite Habana (2003). The film is considered to be his best and most successful film until today. P\u00e9rez\u2019s films revolve around issues of Cuban society especially Havana in the post-Soviet period.  \",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/people\/fernando-perez\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fernando P\u00e9rez, Author at ARKIPEL","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/arkipel.org\/people\/fernando-perez\/","og_locale":"en_US","og_type":"profile","og_title":"Fernando P\u00e9rez, Author at ARKIPEL","og_url":"https:\/\/arkipel.org\/people\/fernando-perez\/","og_site_name":"ARKIPEL","og_image":[{"url":"https:\/\/arkipel.org\/wp-content\/plugins\/ultimate-member\/assets\/img\/default_avatar.jpg"}],"twitter_card":"summary_large_image","twitter_site":"@arkipel","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"ProfilePage","@id":"https:\/\/arkipel.org\/people\/fernando-perez\/","url":"https:\/\/arkipel.org\/people\/fernando-perez\/","name":"Fernando P\u00e9rez, Author at ARKIPEL","isPartOf":{"@id":"https:\/\/arkipel.org\/#website"},"breadcrumb":{"@id":"https:\/\/arkipel.org\/people\/fernando-perez\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/arkipel.org\/people\/fernando-perez\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/arkipel.org\/people\/fernando-perez\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/arkipel.org\/"},{"@type":"ListItem","position":2,"name":"Archives for Fernando P\u00e9rez"}]},{"@type":"WebSite","@id":"https:\/\/arkipel.org\/#website","url":"https:\/\/arkipel.org\/","name":"ARKIPEL","description":"Jakarta International Documentary and Experimental Film Festival","publisher":{"@id":"https:\/\/arkipel.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/arkipel.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/arkipel.org\/#organization","name":"Arkipel","url":"https:\/\/arkipel.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/arkipel.org\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1","contentUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1","width":901,"height":351,"caption":"Arkipel"},"image":{"@id":"https:\/\/arkipel.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/arkipel.festival\/","https:\/\/x.com\/arkipel","https:\/\/www.instagram.com\/arkipel\/","https:\/\/www.youtube.com\/channel\/UCr6MA0fZypBs9tHpfNa3vVQ"]},{"@type":"Person","@id":"https:\/\/arkipel.org\/#\/schema\/person\/76cc45da372e894a51eb76110b129509","name":"Fernando P\u00e9rez","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/arkipel.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0e8e404f5e8c945ef17674a2e4f8cdc7?s=96&d=mm&r=g","caption":"Fernando P\u00e9rez"},"description":"(Havana, 1944) mempelajari sastra di Universidad de la Habana, lalu menjadi jurnalis di Angola dan Nikaragua selama 1970an, selain menulis kritik film untuk majalah Cine Cubano. Karya-karya sinematik awalnya adalah dokumenter pendek, tapi pamor internasionalnya mulai menjulang lewat filem fiksi Clandestinos (1988). Sesudah tiga lagi filem fiksi, P\u00e9rez kembali ke dokumenter lewat Suite Habana (2003), yang bisa dibilang filem terbaik dan tersuksesnya sampai saat ini. Filem-filem P\u00e9rez berkutat dengan persoalan kemasyarakatan Kuba terutama Havana, khususnya periode pasca-Soviet. (Born in Havana, 1944) studied literature at Universidad de la Habana then become a journalist in Angola and Nicaragua during 1970s, aside from writing film criticism for Cine Cubano magazine. His early cinematic works were short documentaries, but his international reputation started with his fiction film Clandestinos (1988). After finishing three more fiction films, P\u00e9rez returned to documentary with his work Suite Habana (2003). The film is considered to be his best and most successful film until today. P\u00e9rez\u2019s films revolve around issues of Cuban society especially Havana in the post-Soviet period.  ","mainEntityOfPage":{"@id":"https:\/\/arkipel.org\/people\/fernando-perez\/"}}]}},"_links":{"self":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/users\/89"}],"collection":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/users"}]}}