Special Presentation Archives — ARKIPEL https://arkipel.org/tag/special-presentation/ Jakarta International Documentary and Experimental Film Festival Wed, 11 Sep 2024 08:33:25 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 51814669 Special Presentation: Teratai, Militant Celebration https://arkipel.org/teratai-2/ https://arkipel.org/teratai-2/#respond Wed, 11 Sep 2024 08:33:11 +0000 https://arkipel.org/?p=13202 The post Special Presentation: Teratai, Militant Celebration appeared first on ARKIPEL.

]]> https://arkipel.org/teratai-2/feed/ 0 13202 Special Presentation 1: Skepticism About the Imperial Film Archives https://arkipel.org/special-presentation-1-skepticism-about-the-imperial-film-archives/ https://arkipel.org/special-presentation-1-skepticism-about-the-imperial-film-archives/#respond Thu, 29 Dec 2022 23:30:55 +0000 https://arkipel.org/?p=11767 The post Special Presentation 1: Skepticism About the Imperial Film Archives appeared first on ARKIPEL.

]]> https://arkipel.org/special-presentation-1-skepticism-about-the-imperial-film-archives/feed/ 0 11767 Special Presentation 01: Watching Inside the Cave https://arkipel.org/special-presentation-01-watching-inside-the-cave/ https://arkipel.org/special-presentation-01-watching-inside-the-cave/#respond Mon, 12 Dec 2022 17:06:55 +0000 https://arkipel.org/?p=11742 The post Special Presentation 01: Watching Inside the Cave appeared first on ARKIPEL.

]]> https://arkipel.org/special-presentation-01-watching-inside-the-cave/feed/ 0 11742 Catch 22 – Special Screening https://arkipel.org/catch-22-spesial-screening-4-2/ https://arkipel.org/catch-22-spesial-screening-4-2/#respond Wed, 23 Nov 2022 03:06:42 +0000 https://arkipel.org/?p=11538 A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating authorities, the "divergent model" of work, and the behaviour or response that belong to the marginalised people (outside the system) keep alive the criticism of social and economic determinants. That is perhaps the one of bromocorah's existential trait in the society.

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]]> https://arkipel.org/catch-22-spesial-screening-4-2/feed/ 0 11538 Catch 22 – Special Presentation 4 https://arkipel.org/catch-22-spesial-presentation-4/ https://arkipel.org/catch-22-spesial-presentation-4/#respond Tue, 22 Nov 2022 15:47:10 +0000 https://arkipel.org/?p=11493 A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating authorities, the "divergent model" of work, and the behaviour or response that belong to the marginalised people (outside the system) keep alive the criticism of social and economic determinants. That is perhaps the one of bromocorah's existential trait in the society.

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]]> https://arkipel.org/catch-22-spesial-presentation-4/feed/ 0 11493 Catch 22 – Special Presentation 3 https://arkipel.org/catch-22-spesial-presentation-3/ https://arkipel.org/catch-22-spesial-presentation-3/#respond Tue, 22 Nov 2022 15:46:44 +0000 https://arkipel.org/?p=11492 A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating authorities, the "divergent model" of work, and the behaviour or response that belong to the marginalised people (outside the system) keep alive the criticism of social and economic determinants. That is perhaps the one of bromocorah's existential trait in the society.

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]]> https://arkipel.org/catch-22-spesial-presentation-3/feed/ 0 11492 Catch 22 – Special Presentation 2 https://arkipel.org/catch-22-spesial-presentation-2/ https://arkipel.org/catch-22-spesial-presentation-2/#respond Tue, 22 Nov 2022 12:03:25 +0000 https://arkipel.org/?p=11447 A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating authorities, the "divergent model" of work, and the behaviour or response that belong to the marginalised people (outside the system) keep alive the criticism of social and economic determinants. That is perhaps the one of bromocorah's existential trait in the society.

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]]> https://arkipel.org/catch-22-spesial-presentation-2/feed/ 0 11447 Catch 22 – Special Presentation 1 https://arkipel.org/catch-22-spesial-presentation-1/ https://arkipel.org/catch-22-spesial-presentation-1/#respond Tue, 22 Nov 2022 11:54:08 +0000 https://arkipel.org/?p=11444 A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating authorities, the "divergent model" of work, and the behaviour or response that belong to the marginalised people (outside the system) keep alive the criticism of social and economic determinants. That is perhaps the one of bromocorah's existential trait in the society.

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]]> https://arkipel.org/catch-22-spesial-presentation-1/feed/ 0 11444 Special Presentation 1: Who Gets to Survive? https://arkipel.org/special-presentation-1/ https://arkipel.org/special-presentation-1/#respond Tue, 30 Nov 2021 08:59:05 +0000 https://arkipel.org/?p=11151 Widmann curates a screening titled Common Places of Suspension, as part of ARKIPEL’s collaboration with Kassel Documentary Film and Video Festival–with the support of Goethe Institut Indonesien. There are four films presented respectively: Bitter with a Shy Taste of Sweetness by Saif Alsaegh (USA, 2019), It’s a Long Way from Amphioxus by Kamal Aljafari (Germany, 2019), Dream Delivery by Zheng Yuan (China, 2018), and a tiny place that is hard to touch by Shelly Silver (USA, 2018).

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]]> https://arkipel.org/special-presentation-1/feed/ 0 11151 Indifferent Surface, Pendulum Movement https://arkipel.org/indifferent-surface-pendulum-movement/ https://arkipel.org/indifferent-surface-pendulum-movement/#respond Thu, 25 Nov 2021 12:20:39 +0000 https://arkipel.org/?p=10995 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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