Special Screening Archives — ARKIPEL https://arkipel.org/tag/special-screening/ Jakarta International Documentary and Experimental Film Festival Mon, 12 Aug 2024 02:14:42 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 Special Screening: Reflecting Film History Through Archives https://arkipel.org/special-screening-reflecting-film-history-through-archives/ https://arkipel.org/special-screening-reflecting-film-history-through-archives/#respond Mon, 05 Dec 2022 19:45:57 +0000 https://arkipel.org/?p=11706 The post Special Screening: Reflecting Film History Through Archives appeared first on ARKIPEL.

]]> https://arkipel.org/special-screening-reflecting-film-history-through-archives/feed/ 0 11706 Special Screening 02: The Language of Vertical Cinema https://arkipel.org/the-language-of-vertical-cinema/ https://arkipel.org/the-language-of-vertical-cinema/#respond Tue, 14 Dec 2021 09:03:48 +0000 https://arkipel.org/?p=11263 In 1930, the Soviet filmmaker Sergei Eisenstein wrote an essay complaining about the standardization of cinema screen (widescreen) as the default format of film presentation. Widescreen, according to Eisenstein, is merely a thoughtless reproduction of 19th century paintings that were mostly of horizontal images.

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]]> https://arkipel.org/the-language-of-vertical-cinema/feed/ 0 11263 Special Screening 03: Counting with Om Pius https://arkipel.org/counting-with-om-pius/ https://arkipel.org/counting-with-om-pius/#respond Tue, 14 Dec 2021 08:31:34 +0000 https://arkipel.org/?p=11255 Om Pius sleeps sitting up, soundly. It was quite around him, no sign of activity, and his snore was getting clearer. It was a fine noon. After a while, the screen turns black, reflecting my face as the spectator.

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]]> https://arkipel.org/counting-with-om-pius/feed/ 0 11255 “Hari Ini Belum Ada Kabar”: A Cross-Island Kaleidoscope of the Pandemic https://arkipel.org/a-cross-island-kaleidoscope-of-the-pandemic/ https://arkipel.org/a-cross-island-kaleidoscope-of-the-pandemic/#respond Fri, 03 Dec 2021 04:37:29 +0000 https://arkipel.org/?p=11193 Hari Ini Belum Ada Kabar (2021) is a collection of events in the midst of the COVID-19 pandemic that was recorded from the perspective of people in various regions in Indonesia.

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]]> https://arkipel.org/a-cross-island-kaleidoscope-of-the-pandemic/feed/ 0 11193 Special Screening “DOLO”: The Veranda for Everybody https://arkipel.org/special-screening-dolo/ https://arkipel.org/special-screening-dolo/#respond Mon, 29 Nov 2021 13:36:35 +0000 https://arkipel.org/?p=11141 DOLO (2021) is a documentary film produced by Forum Lenteng & Milisifilem Collective, directed by Hafiz Rancajale. In DOLO, Dolorosa Sinaga, the sculptor and humanitarian activist, is shown with her daily activities: working on sculptures in the studio, playing the piano, online meetings, hanging out on the veranda, and in-between those activities, Hafiz converses with Dolorosa.

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]]> https://arkipel.org/special-screening-dolo/feed/ 0 11141 DOLO https://arkipel.org/dolo/ https://arkipel.org/dolo/#respond Thu, 25 Nov 2021 07:07:24 +0000 https://arkipel.org/?p=10925 Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the recording as a kind of diary, not to be showcased to the public. However, when Ari Dina Krestiawan curated the archive exhibition of Sardono W. Kusumo’s film in Singapore in 2016, apparently those films unfolded Sardono’s filmic awareness.

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]]> https://arkipel.org/dolo/feed/ 0 10925 Om Pius, “Ini rumah saya, come the sleeping…” https://arkipel.org/om-pius-ini-rumah-saya/ https://arkipel.org/om-pius-ini-rumah-saya/#respond Wed, 24 Nov 2021 18:58:16 +0000 https://arkipel.org/?p=10871 Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the recording as a kind of diary, not to be showcased to the public. However, when Ari Dina Krestiawan curated the archive exhibition of Sardono W. Kusumo’s film in Singapore in 2016, apparently those films unfolded Sardono’s filmic awareness.

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]]> https://arkipel.org/om-pius-ini-rumah-saya/feed/ 0 10871 Hari Ini Belum Ada Kabar https://arkipel.org/hari-ini-belum-ada-kabar_/ https://arkipel.org/hari-ini-belum-ada-kabar_/#respond Wed, 24 Nov 2021 18:08:11 +0000 https://arkipel.org/?p=10856 Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the recording as a kind of diary, not to be showcased to the public. However, when Ari Dina Krestiawan curated the archive exhibition of Sardono W. Kusumo’s film in Singapore in 2016, apparently those films unfolded Sardono’s filmic awareness.

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]]> https://arkipel.org/hari-ini-belum-ada-kabar_/feed/ 0 10856 The Dance of Camera https://arkipel.org/the-dance-of-camera/ https://arkipel.org/the-dance-of-camera/#respond Sun, 25 Aug 2019 15:44:59 +0000 https://arkipel.org/?p=10230 Dhuha said that today, experimental film is assumed to stop at merely visual and formal experimentation. This happens in Indonesia’s experimental film scene. With Sardono’s experimentation in three of his works presented in this program, I agree with Dhuha that Sardono’s ideas contain an intense experimental representation in Indonesia’s historical context, perhaps even in the Southeast Asia.

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]]> https://arkipel.org/the-dance-of-camera/feed/ 0 10230 Focus on Sardono W. Kusumo: Experimental Cinema in Indonesia https://arkipel.org/focus-on-sardono-w-kusumo-experimental-cinema-in-indonesia/ https://arkipel.org/focus-on-sardono-w-kusumo-experimental-cinema-in-indonesia/#comments Wed, 14 Aug 2019 10:07:40 +0000 https://arkipel.org/?p=9883 Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the recording as a kind of diary, not to be showcased to the public. However, when Ari Dina Krestiawan curated the archive exhibition of Sardono W. Kusumo’s film in Singapore in 2016, apparently those films unfolded Sardono’s filmic awareness.

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