Candrawala Archives — ARKIPEL https://arkipel.org/category/festival-program/candrawala-program/ Jakarta International Documentary and Experimental Film Festival Sun, 01 Sep 2024 13:52:44 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 Candrawala: Sowers of Eternity https://arkipel.org/candrawala/ https://arkipel.org/candrawala/#respond Sun, 01 Sep 2024 13:52:24 +0000 https://arkipel.org/?p=13070 The post Candrawala: Sowers of Eternity appeared first on ARKIPEL.

]]> https://arkipel.org/candrawala/feed/ 0 13070 Candrawala II: Framing the City https://arkipel.org/candrawala-02-noli-me-tangere/ https://arkipel.org/candrawala-02-noli-me-tangere/#respond Wed, 04 Oct 2023 01:00:27 +0000 https://arkipel.org/?p=12266 The post Candrawala II: Framing the City appeared first on ARKIPEL.

]]> https://arkipel.org/candrawala-02-noli-me-tangere/feed/ 0 12266 Candrawala I: Ininnawa and the Marginalized Islands https://arkipel.org/candrawala-01-noli-me-tangere/ https://arkipel.org/candrawala-01-noli-me-tangere/#respond Sun, 01 Oct 2023 08:32:28 +0000 https://arkipel.org/?p=12247 The post Candrawala I: Ininnawa and the Marginalized Islands appeared first on ARKIPEL.

]]> https://arkipel.org/candrawala-01-noli-me-tangere/feed/ 0 12247 Noli Me Tangere – Milisifilem Collective: Proyek Minke https://arkipel.org/nmt-milisifilem/ https://arkipel.org/nmt-milisifilem/#respond Thu, 28 Sep 2023 08:21:04 +0000 https://arkipel.org/?p=12162 The three films in this program are part of the Minke Project, a project to read the Buru Quartet and use it as inspiration to produce films. The three works are: Pipit dalam Badai, by Van Luber Parensen; Peta Gula, by Ali Satri Effendi; and Kulihat Kau Lihat Dia, by Helmi Yusron, are the three films produced in the final period of study of the 6th batch of MILISIFILEM class (Edelweiss batch).

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]]> https://arkipel.org/nmt-milisifilem/feed/ 0 12162 Noli Me Tangere – Candrawala https://arkipel.org/nmt-candrawala/ https://arkipel.org/nmt-candrawala/#respond Mon, 25 Sep 2023 09:49:36 +0000 https://arkipel.org/?p=12086 This grid logic emerges when we imagine ourselves as interconnected units of data, but also manifests visually when looking at the information we consume today as data sets. It presupposes positions, compositions, possibilities for movement, distances, and durations that can be quantified. It makes clear the ground we stand on, where the wind blows, and to whom luck favors between the lines that intersect and continue to assemble themselves.

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]]> https://arkipel.org/nmt-candrawala/feed/ 0 12086 Notes on the Second Session Candrawala: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/ https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/#respond Wed, 07 Dec 2022 07:13:04 +0000 https://arkipel.org/?p=11727 The post Notes on the Second Session Candrawala: The Juxtaposition of the Location and An Author’s Wisdom appeared first on ARKIPEL.

]]> https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/feed/ 0 11727 Notes on Candrawala: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/ https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/#respond Tue, 06 Dec 2022 12:49:23 +0000 https://arkipel.org/?p=11716 The post Notes on Candrawala: The Juxtaposition of the Location and An Author’s Wisdom appeared first on ARKIPEL.

]]> https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/feed/ 0 11716 Candrawala – local landscape of now: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/candrawala-2022/ https://arkipel.org/candrawala-2022/#respond Thu, 24 Nov 2022 10:42:52 +0000 https://arkipel.org/?p=11567 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/candrawala-2022/feed/ 0 11567 Candrawala – local landscape of now: Landscape and Authorship https://arkipel.org/candrawala-2021-landscape-and-authorship/ https://arkipel.org/candrawala-2021-landscape-and-authorship/#respond Thu, 25 Nov 2021 07:08:12 +0000 https://arkipel.org/?p=10901 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/candrawala-2021-landscape-and-authorship/feed/ 0 10901 ARKIPEL Twilight Zone – Candrawala: 4 films https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/ https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/#respond Tue, 07 Jul 2020 01:00:28 +0000 https://arkipel.org/?p=10539 To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout Indonesian history have never given birth to film aesthetics. In the course of all the political fluctuations mentioned beforehand, the landscape is obviously the most comprehensive kind of "recording device" that stores and takes notes on the golden age or the downfall in history that occur as a result of various changes in a specific location. If we are aware of that potential, the act of filming the landscape as itself opens up possibilities for the recorded reality of location to unfold. If we are still eager to find the “peculiar” Indonesian film aesthetic, then recording the landscape is a legitimate choice.

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]]> https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/feed/ 0 10539