Twilight Zone Archives — ARKIPEL https://arkipel.org/tag/twilight-zone/ Jakarta International Documentary and Experimental Film Festival Mon, 20 Dec 2021 12:44:07 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 ARKIPEL Twilight Zone Award Winners – Jury Statements https://arkipel.org/twilight-zone-award-winners/ https://arkipel.org/twilight-zone-award-winners/#respond Mon, 20 Dec 2021 12:44:07 +0000 https://arkipel.org/?p=11300 Sunday (12/19) was the peak of the event of ARKIPEL Twilight Zone – 8th Jakarta International Documentary and Experimental Film Festival. The awarding video announcing the winners of the four categories was broadcasted at festival.arkipel.org on 20.00 WIB.

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]]> https://arkipel.org/twilight-zone-award-winners/feed/ 0 11300 Forum Festival Panel 3: Constructing a Network of Knowledge https://arkipel.org/forum-festival-2021-panel-3/ https://arkipel.org/forum-festival-2021-panel-3/#respond Mon, 29 Nov 2021 06:57:36 +0000 https://arkipel.org/?p=11098 How do knowledge and education get distributed? And who has the right to receive and give them? Nuraini Juliastuti, Abhishek Nilamber, and Bunga Siagian explored these questions in Forum Festival Panel 3: Constructing a Network of Knowledge.

Bagaimana informasi dan pendidikan didistribusikan? Siapa pula yang berhak menerima dan membaginya? Nuraini Juliastuti, Abhishek Nilamber, dan Bunga Siagian mengeksplor pertanyaan-pertanyaan ini dalam Forum Festival Panel 3: Membangun Jejaring Pengetahuan.

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]]> https://arkipel.org/forum-festival-2021-panel-3/feed/ 0 11098 Forum Festival Panel 2: The Possibilities of Algorithms https://arkipel.org/forum-festival-2021-panel-2/ https://arkipel.org/forum-festival-2021-panel-2/#respond Mon, 29 Nov 2021 06:48:02 +0000 https://arkipel.org/?p=11101 In Panel 2 of our Forum Festival, Merlyna Lim, Creston Davis, and Manshur Zikri discussed how the algorithms, as a vital part in regulating the circulation of knowledge and information in new media, and its potentials from various dimensions.

Dalam Panel 2 Forum Festival, Merlyna Lim, Creston Davis, dan Manshur Zikri membahas bagaimana algoritma selaku bagian vital dalam mengatur sirkulasi pengetahuan dan informasi di dalam new media, dan potensinya dalam berbagai dimensi.

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]]> https://arkipel.org/forum-festival-2021-panel-2/feed/ 0 11101 Forum Festival Panel 1: Exploring Possible Languages of Cinema Through Ecological Landscapes and Today’s Media https://arkipel.org/forum-festival-2021-panel-1/ https://arkipel.org/forum-festival-2021-panel-1/#respond Sat, 27 Nov 2021 17:45:07 +0000 https://arkipel.org/?p=11076 In ARKIPEL Twilight Zone Forum Festival Panel 1: The Possible Languages on Friday (11/26/2021), Pujita Guha, a curator and academic from India, and Afrian Purnama, a curator and writer from Indonesia, capture the potential languages of cinema from two different perspectives.

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]]> https://arkipel.org/forum-festival-2021-panel-1/feed/ 0 11076 Keynote Speech: Returning to Animism in Southeast Asia Cinema Exhibition https://arkipel.org/forum-festival-2021-keynote-speech/ https://arkipel.org/forum-festival-2021-keynote-speech/#respond Sat, 27 Nov 2021 17:44:02 +0000 https://arkipel.org/?p=11079 In ARKIPEL Twilight Zone Forum Festival, May Adadol Ingawanij’s speech “Animistic Apparatus” examined the genealogies of outdoor cinema practices in Southeast Asia, especially Thailand, and argued that film in this practice functions as an encounter and communication tool between human and non-human.

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]]> https://arkipel.org/forum-festival-2021-keynote-speech/feed/ 0 11079 Opening Day of ARKIPEL Twilight Zone 2021 https://arkipel.org/opening-arkipel-2021/ https://arkipel.org/opening-arkipel-2021/#respond Sat, 27 Nov 2021 06:27:55 +0000 https://arkipel.org/?p=11066 ARKIPEL Twilight Zone – 8th Jakarta International Documentary & Experimental Film Festival 2021 opened online at 4 PM West Jakarta Time, on November 26th, 2021. With Dini Adanurani as the MC, the opening event was conducted in both Indonesian and English. As the Festival Director, Yuki Aditya thanked everyone involved who have supported this festival from its beginning.

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]]> https://arkipel.org/opening-arkipel-2021/feed/ 0 11066 “Tableaux Vivants” in the Post- Era https://arkipel.org/tableaux-vivants-in-the-post-era/ https://arkipel.org/tableaux-vivants-in-the-post-era/#respond Thu, 25 Nov 2021 17:51:49 +0000 https://arkipel.org/?p=11033 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/tableaux-vivants-in-the-post-era/feed/ 0 11033 A Visit by A Foreign Guest https://arkipel.org/a-visit-by-a-foreign-guest/ https://arkipel.org/a-visit-by-a-foreign-guest/#respond Thu, 25 Nov 2021 14:49:48 +0000 https://arkipel.org/?p=11023 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/a-visit-by-a-foreign-guest/feed/ 0 11023 Penumbral Zone https://arkipel.org/penumbral-zone/ https://arkipel.org/penumbral-zone/#respond Thu, 25 Nov 2021 12:30:00 +0000 https://arkipel.org/?p=10990 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/penumbral-zone/feed/ 0 10990 Indifferent Surface, Pendulum Movement https://arkipel.org/indifferent-surface-pendulum-movement/ https://arkipel.org/indifferent-surface-pendulum-movement/#respond Thu, 25 Nov 2021 12:20:39 +0000 https://arkipel.org/?p=10995 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/indifferent-surface-pendulum-movement/feed/ 0 10995