ARKIPEL 2020 - Twilight Zone Archives — ARKIPEL https://arkipel.org/category/festival-theme/arkipel-2020-twilight-zone/ Jakarta International Documentary and Experimental Film Festival Sun, 15 Nov 2020 13:49:52 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 Lenses of Film Criticism https://arkipel.org/lenses-of-film-criticism/ https://arkipel.org/lenses-of-film-criticism/#respond Mon, 09 Nov 2020 12:15:31 +0000 https://arkipel.org/?p=10684 The last panel of this symposium, "Alternative Lens Practices in Film Criticism" was held on Sunday (11/8) afternoon. Moderated by Valencia Winata, the speakers were Dhuha Ramadhani, Intan Paramaditha, and Seno Gumira Ajidarma. Valencia started the session with a short introduction to the theme "Alternative Lens Practices in Film Criticism" which generally questioned the role of criticism in the film ecosystem.

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The Effort to Survive and Imagination of Future Aesthetic https://arkipel.org/the-effort-to-survive-and-imagination-of-future-aesthetic/ https://arkipel.org/the-effort-to-survive-and-imagination-of-future-aesthetic/#respond Mon, 09 Nov 2020 12:00:27 +0000 https://arkipel.org/?p=10673 Forum Festival continues its panel on a cold Saturday (7/11). Dhuha started the forum by introducing the panellists: Alia Swastika, Cecil Mariani, and Tonny Trimarsanto. He continued by explaining the idea of this panel, “The Survival of the Art Ecosystem and Imagining the Aesthetics of Tomorrow” that will discuss the world aesthetic during this pandemic and the possible infrastructure that might survive or emerge in the future.

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Notes on Navigating the Twilight Zone https://arkipel.org/notes-on-navigating-the-twilight-zone/ https://arkipel.org/notes-on-navigating-the-twilight-zone/#respond Mon, 09 Nov 2020 11:30:01 +0000 https://arkipel.org/?p=10658 This panel dives deeper into our twilight zone today, especially regarding the pandemic situation and the failure of modernism, and further efforts to navigate into the future. This panel was held on Friday, November 6, 2020, at 19.30, and its speakers are Butet Manurung, Martin Suryajaya, and Hizkia Yosie Polimpung.

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Perceiving The Present as The Past to Study The Future https://arkipel.org/perceiving-the-present-as-the-past-to-study-the-future/ https://arkipel.org/perceiving-the-present-as-the-past-to-study-the-future/#respond Mon, 09 Nov 2020 11:00:12 +0000 https://arkipel.org/?p=10610 Dr. Hilmar started with his personal understanding of the Twilight Zone. He explained that it is an uncertain game of spaces. Understanding the Twilight Zone is to understand the complex world without an epicentre. Imperialism and capitalism provide a structure for this central system.

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Future Traditions: Perceiving The Present as The Past https://arkipel.org/future-traditions-perceiving-the-present-as-the-past/ https://arkipel.org/future-traditions-perceiving-the-present-as-the-past/#respond Sat, 10 Oct 2020 04:00:45 +0000 https://arkipel.org/?p=10551 The twilight zone is knowledge that restrains itself because it is forced to live in a dominant system. Even though all this is just a matter of understanding the light, trapping it in a frame and turning it into a new reality, the reality of cinema. The reality that can be seen as bewitching charm, then later reveals the “otherworldly” to “exist”.

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Navigating the Twilight Zone in the Current Time https://arkipel.org/navigating-the-twilight-zone-in-the-current-time/ https://arkipel.org/navigating-the-twilight-zone-in-the-current-time/#respond Sat, 10 Oct 2020 03:50:15 +0000 https://arkipel.org/?p=10569 This panel focuses on finding an alternative way of seeing, feeling, and understanding of the distribution and production of knowledge that can navigate all-encompassing contemporary issues. In the middle of the pandemic that is making us all experience an ecological and economic crisis, there is a rise in demand for a sturdy system.

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The Survival of the Art Ecosystem and Imagining the Aesthetics of Tomorrow https://arkipel.org/the-survival-of-the-art-ecosystem-and-imagining-the-aesthetics-of-tomorrow/ https://arkipel.org/the-survival-of-the-art-ecosystem-and-imagining-the-aesthetics-of-tomorrow/#respond Sat, 10 Oct 2020 03:40:29 +0000 https://arkipel.org/?p=10581 This panel reexamines the survival of the art and cultural industry from before, during, and after the pandemic. As well as reimagining the model of production, exhibition, and audienceship from the economic, social, and aesthetic standpoint. The panelists are expected to share their current findings and understandings regarding this topic. Through this study, we can then imagine what kind of art and cultural aesthetics that are relevant in the current and upcoming social-political climate.

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Alternative Lenses in Film Criticism Practice https://arkipel.org/alternative-lenses-in-film-criticism-practice/ https://arkipel.org/alternative-lenses-in-film-criticism-practice/#respond Sat, 10 Oct 2020 03:30:58 +0000 https://arkipel.org/?p=10583 This panel is aimed to investigate the role and contribution of film criticism in the film culture and in the public. As a cultural artefact, film can be read in textual, historic, and cultural context. Depending on the lens and position that are chosen, a film can be read in different ways.

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Press Release – ARKIPEL Twilight Zone Postponement https://arkipel.org/press-release-arkipel-twilight-zone-postponement/ https://arkipel.org/press-release-arkipel-twilight-zone-postponement/#respond Fri, 09 Oct 2020 03:00:59 +0000 https://arkipel.org/?p=10590 Due to the COVID-19 Pandemic and the development of the Jakarta and international situation, we will postpone ARKIPEL Twilight Zone – 8th Jakarta International Documentary and Experimental Film Festival to August 2021. But, the Forum Festival will still be held online on 6-8 November 2020. Do follow @arkipel on Instagram for more updates.

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ARKIPEL Twilight Zone – Candrawala: 4 films https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/ https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/#respond Tue, 07 Jul 2020 01:00:28 +0000 https://arkipel.org/?p=10539 To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout Indonesian history have never given birth to film aesthetics. In the course of all the political fluctuations mentioned beforehand, the landscape is obviously the most comprehensive kind of "recording device" that stores and takes notes on the golden age or the downfall in history that occur as a result of various changes in a specific location. If we are aware of that potential, the act of filming the landscape as itself opens up possibilities for the recorded reality of location to unfold. If we are still eager to find the “peculiar” Indonesian film aesthetic, then recording the landscape is a legitimate choice.

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