ARKIPEL: social/kapital Prize Winners

ARKIPEL Award is given to Zone Zero (2015) by Farzad Moloudi from Belgium. Jury Award is given to Trêve (2016) by Myriam El Hajj from Lebanon. Peransi Award is given to Kodachrome (2013) by the K-14 Collective from Belgium. Forum Lenteng Award is given to A Lullaby to the Sorrowful Mystery (or [...]

On “A Trial by Cinema” Screening Program

With 442 minutes in total, Hitler: A Film from Germany was one of the longest films that Kineforum ever screened. Directed by Hans-Jurgen Syberber, this film was produced in Western German, England, and French in 1977; and in Indonesia this year through ARKIPEL, and became part of curatorial [...]

Scott Miller Berry Special Presentation

On August 21st, ARKIPEL social/kapital – 4th Jakarta International Documentary & Experimental Film Festival was held at Kineforum, Taman Ismail Marzuki, Jakarta. At 11 am, the first program was launched with Scott Miller Berry’s special presentation.

Marginal Matters: Story in Various Forms

The films screened this time were the representation of Taiwanese community’s struggle due to the oppression of global neoliberals. Many symbols were invested in the films as the representation of the marginal society’s condition in Taiwan. Whether through fiction or documentary, the five films [...]

Middle Finger Against Dichotomy

ARKIPEL social/kapital – 4th Jakarta International Documentary & Experimental Film Festival is an international film festival held by Forum Lenteng, consistently since its first attempt in 2013. Choosing “social/kapital” in 2016 as their main theme, this festival seek to ‘up bring the [...]

Festival Forum: Panel 5

Hitherto, the development of cinema is never far from those who contribute to develop cinema knowledge itself. Among those contributors are communities. Even though these communities are not ‘official’ institution in cinema discourse, communities often play significant role in conducting [...]

Festival Forum: Panel 4

When it comes to the language of cinema in Asia, Fang-Tze said that we cannot forget the desire of national cinema that goes hand in hand with global cinema. Therefore the achievement of national cinema still follows the formal reference of global cinema.

august, 2016

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