The reality behind this film is that Quame Nyantakyi was a patient of a psychiatric ward, who had been homeless and imprisoned for a crime. He then joined a witness protection program called [...]

In its development, cinema always finds its recourse in depicting reality. And just like cinema, humanism also has its own senses of the times, when its definitions undergo extensions in terms of [...]

The practice of juxtapositioning images to cultivate imaginations on the outlook of a certain territory or location claimed by a system of sign — a particular behavior, attribute, or its [...]

ince the camera was incorporated as mobile phone feature, I never forget bringing it in my hand or my pocket. Since then, I started to be actively recording. I record anything; the important and [...]

Perhaps the most surprising of these days, among others, is: our unexpected results of the excavations of the past often make us face another narrative, which seems even more sinister, about the [...]

The World Cup this year demonstrated not only bodies in the act of defeating one another, but also a new rule introduced by the international football association, FIFA. The use of VAR (Video [...]

Is there anyone who is really a personal being altogether – both in the past and now? These two films propose a reflection on the impersonal, that: not a single being on their own behalf can [...]

Játékok is a series of musical composition arrangement for piano composed by György Kurtág, a Hungarian composer and pianist. Volume I was composed in 1973 and the last series Volume IX in 2017. [...]

The word “bazi” [bâzi] in Farsi stands for game, play, gambling. The root of the word, “baz/vaz” (openness, and also the prefix “re-” as in “recreation”), comes from “vazidan” [væziːˈdæn] [...]

“Your kind salutes my cunt.” This [statement] from the mouth of a transvestite in the mythical town of Pushkar is an ubiquitous statement that seems to resound through the universe we encounter [...]

ARKIPEL will present a program of Kidlat Tahimik to discuss his works by screening three of his films, which are considered essential and have the same spirit with homoludens as our theme this year.

As Nicky Hamlyn argued, what is often characteristic of the narrative of a film, generally in mainstream works, is: the meaning of the image's referent occupies a position beyond questions of the [...]

This situation and condition that makes it easier to record, watch, or being watched put those acts inside a boundary, which is accessible and connected in two ways.

Golden Memories was born from research on the Petite Histoire of Cinema initiated by Forum Lenteng from early 2016. This research seeks to reveal the practices of filmmaking outside the industry [...]

My early encounter with Harun Farocki’s works was started from an invitation to participate in a temporary academy organized by the Harun Farocki Institut in Berlin, nearly a year ago. That [...]

Premiere Screening of Milisifilem “Milisifilem as an Incubator” will be held on August 11, 2018, 07.00 PM, GoetheHaus, Goethe-Institut Jakarta