Curatorial Program

There are two definitions of bromocorah — or bramacorah — on the latest version of The Great Dictionary of the Indonesian Language. Both definitions refer to the legal term, and both are related [...]

For me, L'argent shows the position of forged money as the connection of bromocorah phenomenon. It captures the narrative of the ability of forged money of deluding people to deviate the law. [...]

Titian Serambut Dibelah Tujuh, are the moving images as imagined by Andre Bazin, always providing duration to the audience to continue choosing which image to be impressed; thus, the image is [...]

Robert Bresson's cinema always suggests that there is another space off the screen. Both the visible and invisible spaces interact with each other to form a perception that unites series of [...]

When in comes to the cinema documenting the history, it is unusual for us to find a serious production with heavy voice of its narrator. The cinema will appear very grande by inserting footages [...]

On its seventh day of event, Tuesday, August 14th 2018, ARKIPEL homoludens – 6th Jakarta International Documentary and Experimental Film Festival, screened the films of Kidlat Tahimik. Kidlat [...]

The atmosphere on Tuesday (14/8) at Kineforum has started to be more crowded. About an hour before the screening, people began to queue to get the ticket to watch an oeuvre of KidlatTahimik, The [...]

Who does the world belong to? Does it belong to mother nature, which provides us the resources we need to survive? Does it belong to the Gods? Those who gave this world to us and will take it [...]

As Nicky Hamlyn argued, what is often characteristic of the narrative of a film, generally in mainstream works, is: the meaning of the image's referent occupies a position beyond questions of the [...]