Curatorial Program

The films screened this time were the representation of Taiwanese community’s struggle due to the oppression of global neoliberals. Many symbols were invested in the films as the representation [...]

A very interesting scene for me was side symbol that became the center of his film since its middle part to ending scene. Precisely as Bunga Siagian wrote on the catalogue, boots symbolized bad [...]

This program presents two films, Landfill Harmonic (Brad Allgood and Graham Townsley, 2015) and Ilha das Flores (Jorge Furtado, 1989).

Two works presented here are both comedy-a genre in the history of Indonesian cinema was accused not worth anything ideological other than pure commercial purpose.

This curatorial is based on idea about translation that can help us to understand each other, but it does not always “do the trick”.

This program presents Hans-Jurgen Syberberg’s Hitler, ein Film Aus Deutschland (Hitler: A Film from Germany, 1977).

This program presents Abbas Fahdel’s Homeland: Iraq Year Zero (2015). Responding to the global phenomenon that has evolved since the Iraq War in 2003.

This curatorial shows three works of Pedro Costa, In Vanda’s Room (2000), Colossal Youth (2006), and Horse Money (2014).

Marginal Matters addresses the psyche, character and landscape of the structural margins in contemporary Taiwanese society by building new narratives, both real and fictional.

According to Siagian’s curatorial, this film is screened to the public to open wider discussion and new interpretation on what is LEKRA film through its Violetta aesthetics. For a long time, [...]