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  • CURRENT
    • ARKIPEL 2025: Years of Living Dangerously
  • ABOUT ARKIPEL
    • YEARLY STATISTICS
    • Frequently Asked Questions
  • News
    • Announcements
    • ARKIPEL Stories
  • Catalogues
  • PREVIOUS
    • ARKIPEL 2024: Garden of Earthly Delight
      • ARKIPEL 2024: Garden of Earthly Delights, schedules 2
      • ARKIPEL 2024: Garden of Earthly Delights, Film Selections
      • ARKIPEL 2024: Garden of Earthly Delights Candrawala
      • ARKIPEL 2024: Garden of Earthly Delights IC
    • ARKIPEL 2023: Noli Me Tangere
      • ARKIPEL 2023: Noli Me Tangere – Open Call For Film Submission
    • #9 ARKIPEL 2022 – catch-22
    • #8 ARKIPEL 2020 – Twilight Zone
    • #7 ARKIPEL – Bromocorah
    • #6 ARKIPEL – homoludens
      • Preface: “homoludens”
      • Festival Schedule
    • #5 ARKIPEL – Penal Colony
      • Preface: “Penal Colony”
    • #4 ARKIPEL – social/kapital
      • Preface: “social/kapital”
      • VENUES
      • PROGRAMS (PDF)
      • FESTIVAL FORUM
        • PREFACE
        • SPEAKERS
        • SELECTIONS
    • #3 ARKIPEL – Grand Illusion
      • Preface: “Grand Illusion”
    • #2 ARKIPEL – Electoral Risk
      • Preface: “Electoral Risk”
    • #1 ARKIPEL 2013
Jakarta International Documentary and Experimental Film Festival Jakarta International Documentary and Experimental Film Festival
  • CURRENT
    • ARKIPEL 2025: Years of Living Dangerously
  • ABOUT ARKIPEL
    • YEARLY STATISTICS
    • Frequently Asked Questions
  • News
    • Announcements
    • ARKIPEL Stories
  • Catalogues
  • PREVIOUS
    • ARKIPEL 2024: Garden of Earthly Delight
      • ARKIPEL 2024: Garden of Earthly Delights, schedules 2
      • ARKIPEL 2024: Garden of Earthly Delights, Film Selections
      • ARKIPEL 2024: Garden of Earthly Delights Candrawala
      • ARKIPEL 2024: Garden of Earthly Delights IC
    • ARKIPEL 2023: Noli Me Tangere
      • ARKIPEL 2023: Noli Me Tangere – Open Call For Film Submission
    • #9 ARKIPEL 2022 – catch-22
    • #8 ARKIPEL 2020 – Twilight Zone
    • #7 ARKIPEL – Bromocorah
    • #6 ARKIPEL – homoludens
      • Preface: “homoludens”
      • Festival Schedule
    • #5 ARKIPEL – Penal Colony
      • Preface: “Penal Colony”
    • #4 ARKIPEL – social/kapital
      • Preface: “social/kapital”
      • VENUES
      • PROGRAMS (PDF)
      • FESTIVAL FORUM
        • PREFACE
        • SPEAKERS
        • SELECTIONS
    • #3 ARKIPEL – Grand Illusion
      • Preface: “Grand Illusion”
    • #2 ARKIPEL – Electoral Risk
      • Preface: “Electoral Risk”
    • #1 ARKIPEL 2013

Curatorial Program

 Camera Empathy, Rhythm Of Territory and Landscape Filled with Memory

Camera Empathy, Rhythm Of Territory and Landscape Filled with Memory

28/08/2015

This Lav Diaz's experimental documentary film picked up the story of life in Tacloban, Philippines, which was hit by a storm in 2013. Yolanda Typhoon was destroying people's homes and killed many.

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     The Cinema Between Consciousness and Unconsciousness: An Attempt to Fill a Space in the Documentary and Experimental Cinema Vocabulary Discourse in Indonesia

    The Cinema Between Consciousness and Unconsciousness: An Attempt to Fill a Space in the Documentary and Experimental Cinema Vocabulary Discourse in Indonesia

    27/08/2015

    Curatorial program, besides becoming a kind of education to the audience of a festival indirectly, a more substantive function is that curatorial program also comes to be a space for dialogue [...]

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       Interdependence; In the Context Globalization and Cinema Aesthetics Language in Asia

      Interdependence; In the Context Globalization and Cinema Aesthetics Language in Asia

      26/08/2015

      Program in reading the development of contemporary Asian cinema, one of them, is filled by David Teh, a curator and art researcher at the National University of Singapore with the theme of [...]

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         Screening of Curatorial Program: Counter The Stream-Rumors

        Screening of Curatorial Program: Counter The Stream-Rumors

        26/08/2015

        This curatorial program presents two film by noted American director, Jon Jost. There are two films presented, Images of a Lost city (screened at Goethe-Institut, August 23) and They Had It [...]

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           Filem Tak Mengharuskan Percakapan

          Filem Tak Mengharuskan Percakapan

          15/09/2014

          Filem ini, jelas sekali, mengajarkan kita bahwa filem adalah visual, dan dalam pengemasan ide/isu-nya, filem tak mengharuskan sebuah percakapan.

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             Kabar dari Dua Sesi Pertama Penayangan Das Kapital Kluge

            Kabar dari Dua Sesi Pertama Penayangan Das Kapital Kluge

            12/09/2014

            Menjelang maghrib, di tengah keheningan suasana di Goethe Institut Jakarta, samar-samar terdengar, dari dalam aula GoetheHaus, suara denting piano yang merupakan audio dari beberapa adegan di [...]

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               Dokumenter Kreatif dan Figurasi Ruang

              Dokumenter Kreatif dan Figurasi Ruang

              21/07/2013

              In documentary films they initiated, Forum Lenteng always did experimentation on narrative possibility with human as a given subject, or with a structure which emphasized on the up and down [...]

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                 Mobilitas Sosial untuk Pemula

                Mobilitas Sosial untuk Pemula

                21/07/2013

                More than three years. That is the amount of time spent by the filmmakers of The Land Beneath the Fog and Denok & Gareng following their sources.

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                   Estetika Kenyataan, Realisme Publik?

                  Estetika Kenyataan, Realisme Publik?

                  21/07/2013

                  Cinema obsession to reach ‘the real’ is not a new issue anymore. Since photography was invented and Lumière Brothers’ movie was shown to the public, a technology to reproduce reality had been [...]

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                     Memakai Arsip, Mereka Ulang Sejarah

                    Memakai Arsip, Mereka Ulang Sejarah

                    21/07/2013

                    Footage from the archive functions as catalyst to write a new archive-to see history in a new way. It is a technique that allows a personal interpretation of history reflected through its [...]

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