When it comes to the language of cinema in Asia, Fang-Tze said that we cannot forget the desire of national cinema that goes hand in hand with global cinema. Therefore the achievement of national [...]
The opening of the exhibition was visited by 55 people and was covered by the Kompas. Andra, one of the visitors admitted that this exhibition program of ARKIPEL social/kapital provided a new [...]
Hafiz also stated that film experimentation didn’t stop in its visual language, but also in production process especially in the negotiation process that the filmmaker did, along with the endless [...]
Some audiences agreed with the term of “community cinema” because it could be seen as a political move to seek a new possibility in the development of the language of cinema.
Forum Festival pertama ARKIPEL tahun ini tersebut pada akhirnya menggarisbawahi kekurangan sinema Indonesia, yakni dalam pemahaman medium dan estetika.
Agency is an urgent matter so that an individual or a group can be freed from vulnerability and fright upon external power that might limit one’s contemporaneity. Film through its visual power [...]
Two works presented here are both comedy-a genre in the history of Indonesian cinema was accused not worth anything ideological other than pure commercial purpose.
This curatorial attempts to investigate how filmmaking combines with political radicalism to promote new ideologies that contribute to a new world order, thus enacting a politics of form.