august, 2017
Details
Curated by
Otty Widasari
Total Duration
118 minutes
Venue
Goethehaus – Jakarta / 23 August 2017, 13.00
Kineforum – Jakarta / 25 Agustus 2017, 19.30
Film list
Beti Bezperako Koplak (Twenty Young Basque Artists Coordinated by Bego Vicario, Spain, 2016, 6 minutes)
Perayaan tradisi Basque yang divisualkan secara kolaboratif, menggunakan karya-karya seni yang dianimasikan, memberi menerapkan gagasan dekolonisasi. Kerja kolaboratif tanpa pembuat tunggal bisa dilihat sebagai praktek kontemporer menghilangkan keterpusatan authorsip.
The celebration of Basque tradition that is collaboratively visualized, using the animated works of art by 20 visual artists, applying the idea of decolonization. Collaborative work without a single author can be seen as a contemporary practice of eliminating the authorship centrality.
Utsav (Suruchi Sharma, India, 2016, 28 minutes)
Saat struktur Modern tidak memberi ruang, maka secara politis eksistensialitas kultur membentuk inisiatif-inisiatif pada ranah dialek untuk mengeksplorasi dan memperluas fungsi harafiah tubuh-tubuh dan obyek-obyek yang selama ini memiliki definisi tunggal modernitas.
When Modern structure does not not give any space, politically, the existentiality of culture establishes initiatives in the domain of dialects, to explore and extend the literal functions of bodies and objects that have had the sole definition of modernity.
Nyo Vweta Nafta (Ico Costa, Portugal, 2017, 22 minutes)
Penggambaran inferioritas kultural yang merupakan warisan kolonialisme, dan diturunkan secara bergenarasi, kemudian menjadi tradisi. Ada lompatan pengetahuan yang tidak diajarkan oleh kolonialisme, tapi justru menjadi siasat yang lebih mutakhir dalam praktek hidup keseharian.
The depiction of cultural inferiority, which is a legacy of colonialism, and inherited for generations, then has become a tradition. There is a knowledge leap the colonizer didn’t teach instead it has become more sophisticated strategies in the way of life.
Tidelands (Kika Nicolela, Brazil, 2015, 62 minutes)
Pertarungan dua kepentingan dengan ilustrasi memori yang karam dengan indah di hari ini. Visual lahan lumpur yang tenang secara gradual mewujud kontradiktif dengan kisah masyarakat yang seret. Alat-alat kerja pendamping individu-individu penghuni lokasi menjadi tua dan berkarat karena hambatan struktural, tak terpakai lagi.
The battle of two interests with a beautiful memory illustration that being shipwrecked today. Gradually, visuals of a quite mud field materialize contradictory with the fortuneless stories of people. Companion working tools of individuals inhabiting the site are old and rusty due to structural obstacles, obsolescent.
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