Candrawala Archives — ARKIPEL https://arkipel.org/tag/candrawala/ Jakarta International Documentary and Experimental Film Festival Sun, 01 Sep 2024 13:52:44 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 Candrawala: Sowers of Eternity https://arkipel.org/candrawala/ https://arkipel.org/candrawala/#respond Sun, 01 Sep 2024 13:52:24 +0000 https://arkipel.org/?p=13070 The post Candrawala: Sowers of Eternity appeared first on ARKIPEL.

]]> https://arkipel.org/candrawala/feed/ 0 13070 Notes on the Second Session Candrawala: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/ https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/#respond Wed, 07 Dec 2022 07:13:04 +0000 https://arkipel.org/?p=11727 The post Notes on the Second Session Candrawala: The Juxtaposition of the Location and An Author’s Wisdom appeared first on ARKIPEL.

]]> https://arkipel.org/notes-on-the-second-session-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/feed/ 0 11727 Notes on Candrawala: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/ https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/#respond Tue, 06 Dec 2022 12:49:23 +0000 https://arkipel.org/?p=11716 The post Notes on Candrawala: The Juxtaposition of the Location and An Author’s Wisdom appeared first on ARKIPEL.

]]> https://arkipel.org/notes-on-candrawala-the-juxtaposition-of-the-location-and-an-authors-wisdom/feed/ 0 11716 Candrawala – local landscape of now: The Juxtaposition of the Location and An Author’s Wisdom https://arkipel.org/candrawala-2022/ https://arkipel.org/candrawala-2022/#respond Thu, 24 Nov 2022 10:42:52 +0000 https://arkipel.org/?p=11567 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/candrawala-2022/feed/ 0 11567 Candrawala: To Witness a Changing Landscape and Frame It https://arkipel.org/to-witness-a-changing-landscape-and-frame-it/ https://arkipel.org/to-witness-a-changing-landscape-and-frame-it/#respond Tue, 07 Dec 2021 13:42:02 +0000 https://arkipel.org/?p=11222 ARKIPEL presented a number of film curations, one of which was the Candrawala program, in which four films were showed: Katarsis Yang Tak Kunjung Selesai (2020), Di Pinggir Kali Citarum (2019), Anak Merak (2020), and Diary of Cattle (2019).

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]]> https://arkipel.org/to-witness-a-changing-landscape-and-frame-it/feed/ 0 11222 Candrawala – local landscape of now: Landscape and Authorship https://arkipel.org/candrawala-2021-landscape-and-authorship/ https://arkipel.org/candrawala-2021-landscape-and-authorship/#respond Thu, 25 Nov 2021 07:08:12 +0000 https://arkipel.org/?p=10901 In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the paradigm shifts in social science and ethics that follow it. The aesthetic explorations, which range from a dramatic construction with the romantic style of Flaherty up to how to perceive anthropological facts with the style of Sensory Ethnography Lab films, contribute to the discourse on the development of this genre. The latest tendency of this cinema is indeed observational and participatory. But these observation and participation bear their own problems.In representing peripheral subjects, especially those who are far or less exposed to media technology, there is a temptation to treat them as a "discovery”.

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]]> https://arkipel.org/candrawala-2021-landscape-and-authorship/feed/ 0 10901 ARKIPEL Twilight Zone – Candrawala: 4 films https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/ https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/#respond Tue, 07 Jul 2020 01:00:28 +0000 https://arkipel.org/?p=10539 To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout Indonesian history have never given birth to film aesthetics. In the course of all the political fluctuations mentioned beforehand, the landscape is obviously the most comprehensive kind of "recording device" that stores and takes notes on the golden age or the downfall in history that occur as a result of various changes in a specific location. If we are aware of that potential, the act of filming the landscape as itself opens up possibilities for the recorded reality of location to unfold. If we are still eager to find the “peculiar” Indonesian film aesthetic, then recording the landscape is a legitimate choice.

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]]> https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/feed/ 0 10539 Feedback https://arkipel.org/feedback/ https://arkipel.org/feedback/#respond Mon, 12 Aug 2019 21:22:25 +0000 https://arkipel.org/?p=9813 It is not difficult to look away from our socio-political situation; it's as easy as rolling the screen when we face contents unsuitable with our taste as such. Though we ignore them, they still circulate us. These digital items move from the most public spaces to the most private in various internet-mediated communication pools. However, where are they going? Do they leave traces in our memory and presumably emerge in the world wherein communication occurs without the internet? Human oral customs or word of mouth transmission seemly get its best modes, thanks to the internet, to unleash our main desire: to share.

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]]> https://arkipel.org/feedback/feed/ 0 9813 ARKIPEL bromocorah – Candrawala: Local landscape of now 2019 https://arkipel.org/arkipel-bromocorah-candrawala-local-landscape-of-now-2019/ https://arkipel.org/arkipel-bromocorah-candrawala-local-landscape-of-now-2019/#respond Tue, 23 Jul 2019 03:00:56 +0000 http://arkipel.org/?p=9455 It's not difficult to look away from our socio-political situation; it's as easy as rolling the screen when we face contents unsuitable with our taste as such. Though we ignore them, they still circulate around us. These digital items move from the most public spaces to the most private in various internet-mediated communication pools. However, where are they going?

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]]> https://arkipel.org/arkipel-bromocorah-candrawala-local-landscape-of-now-2019/feed/ 0 9455 Candrawala: Fluidity of the Indonesian Cinema Experimentation Arena https://arkipel.org/homoludens-fluidity-of-the-indonesian-cinema-experimentation-arena/ https://arkipel.org/homoludens-fluidity-of-the-indonesian-cinema-experimentation-arena/#respond Tue, 14 Aug 2018 05:00:10 +0000 http://arkipel.org/?p=8880 Upon the presence of advanced technology, such as smartphones and social media, we have arrived at an expanding audiovisual arena; beyond the activities of recording and being watched, but also self-exhibition. In this digital generation, the audiovisual content creator also has a purpose beyond capturing the reality through the camera, but they have the urge to share and make a statement. For example, the emergence of Instagram Story and Snapchat becomes a space for us to share our daily lives. This also spreads to the concept of Indonesian filmmaking, bringing forth this gesture and technological discourse of here and now, making the act of recording, watching, and self-exhibiting has less limit and gets connected all together.

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