Festival Program

The nine short films in this program each explore notions of loss through profound personal explorations of personal and/or political disintegration. Each short is a personal diary unto itself, [...]

It is not difficult to look away from our socio-political situation; it's as easy as rolling the screen when we face contents unsuitable with our taste as such. Though we ignore them, they still [...]

Titian Serambut Dibelah Tujuh, are the moving images as imagined by Andre Bazin, always providing duration to the audience to continue choosing which image to be impressed; thus, the image is [...]

Robert Bresson's cinema always suggests that there is another space off the screen. Both the visible and invisible spaces interact with each other to form a perception that unites series of [...]

Details, generally, are not a complete certitude of a memory. Often, it exists as fragments that can mix up with other fragments from a memory of another time and space. Memory, eventually, are [...]

In two different societies, two different governments, two different countries, two different continents, public spaces are questioned in two different ways; the first one politically, and the [...]

Formal experimentation as the development of film aesthetics is an attempt to magnify the images' potential, on the one hand, and recording devices (cameras) on the other.

Camara Oscura engages the audience in the processes of image reproduction; going back and forth between the digital, analog, and non-mechanical processes. In the images that it captures, we can [...]

One of the most bitter examples of irony is how history will repeat itself. In documentary development, the presence of the body and space, as reflections of the retention of past events and [...]

Weirdloop is a film that plays its agency in framing current social (and political) situations, with scepticism which can be seen as a criticism. By leaping out of the art aesthetics of the film [...]