Money! The Visible God!

Robert Bresson's cinema always suggests that there is another space off the screen. Both the visible and invisible spaces interact with each other to form a perception that unites series of [...]

Cinema Observes Cinema

Details, generally, are not a complete certitude of a memory. Often, it exists as fragments that can mix up with other fragments from a memory of another time and space. Memory, eventually, are [...]

Limit of The Infinite

Camara Oscura engages the audience in the processes of image reproduction; going back and forth between the digital, analog, and non-mechanical processes. In the images that it captures, we can [...]

Cinema Observing Its Images

The era of internet is an era when information continuously permeates into our daily life, targeting our sight almost without any selection – including still and moving images. They are entities [...]