Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the [...]

In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

The last panel of this symposium, "Alternative Lens Practices in Film Criticism" was held on Sunday (11/8) afternoon. Moderated by Valencia Winata, the speakers were Dhuha Ramadhani, Intan [...]

Forum Festival continues its panel on a cold Saturday (7/11). Dhuha started the forum by introducing the panellists: Alia Swastika, Cecil Mariani, and Tonny Trimarsanto. He continued by [...]

This panel dives deeper into our twilight zone today, especially regarding the pandemic situation and the failure of modernism, and further efforts to navigate into the future. This panel was [...]

Dr. Hilmar started with his personal understanding of the Twilight Zone. He explained that it is an uncertain game of spaces. Understanding the Twilight Zone is to understand the complex world [...]

The twilight zone is knowledge that restrains itself because it is forced to live in a dominant system. Even though all this is just a matter of understanding the light, trapping it in a frame [...]

This panel focuses on finding an alternative way of seeing, feeling, and understanding of the distribution and production of knowledge that can navigate all-encompassing contemporary issues. In [...]