Formal experimentation as the development of film aesthetics is an attempt to magnify the images' potential, on the one hand, and recording devices (cameras) on the other.

Camara Oscura engages the audience in the processes of image reproduction; going back and forth between the digital, analog, and non-mechanical processes. In the images that it captures, we can [...]

One of the most bitter examples of irony is how history will repeat itself. In documentary development, the presence of the body and space, as reflections of the retention of past events and [...]

Weirdloop is a film that plays its agency in framing current social (and political) situations, with scepticism which can be seen as a criticism. By leaping out of the art aesthetics of the film [...]

In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

The era of internet is an era when information continuously permeates into our daily life, targeting our sight almost without any selection – including still and moving images. They are entities [...]

A subtle disruption to the system arises from the daily lives of people on the "periphery", as reflected in two curated films here. Even though they do not fully agitate the dominating [...]

By encompassing the concept of bromocorah into the cinematic universe and then drawing it back again out of that aesthetic realm, we may be able to gaze and interpret current global symptom and [...]

Cinema is likened to a mirror. At least for Christian Metz, a reproduction of the image on screen gives it a mirror-like effect.[2] Although the concept of screen as a mirror departs from Jacques [...]

One of the reasons for the mushrooming of the Indonesian film community, growing even more countless is because of the gotong royong spirit as the nature of Indonesian society. According to her [...]