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  • CURRENT
    • ARKIPEL 2025: Years of Living Dangerously
  • ABOUT ARKIPEL
    • YEARLY STATISTICS
    • Frequently Asked Questions
  • News
    • Announcements
    • ARKIPEL Stories
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  • PREVIOUS
    • ARKIPEL 2024: Garden of Earthly Delight
      • ARKIPEL 2024: Garden of Earthly Delights, schedules 2
      • ARKIPEL 2024: Garden of Earthly Delights, Film Selections
      • ARKIPEL 2024: Garden of Earthly Delights Candrawala
      • ARKIPEL 2024: Garden of Earthly Delights IC
    • ARKIPEL 2023: Noli Me Tangere
      • ARKIPEL 2023: Noli Me Tangere – Open Call For Film Submission
    • #9 ARKIPEL 2022 – catch-22
    • #8 ARKIPEL 2020 – Twilight Zone
    • #7 ARKIPEL – Bromocorah
    • #6 ARKIPEL – homoludens
      • Preface: “homoludens”
      • Festival Schedule
    • #5 ARKIPEL – Penal Colony
      • Preface: “Penal Colony”
    • #4 ARKIPEL – social/kapital
      • Preface: “social/kapital”
      • VENUES
      • PROGRAMS (PDF)
      • FESTIVAL FORUM
        • PREFACE
        • SPEAKERS
        • SELECTIONS
    • #3 ARKIPEL – Grand Illusion
      • Preface: “Grand Illusion”
    • #2 ARKIPEL – Electoral Risk
      • Preface: “Electoral Risk”
    • #1 ARKIPEL 2013
Jakarta International Documentary and Experimental Film Festival Jakarta International Documentary and Experimental Film Festival
  • CURRENT
    • ARKIPEL 2025: Years of Living Dangerously
  • ABOUT ARKIPEL
    • YEARLY STATISTICS
    • Frequently Asked Questions
  • News
    • Announcements
    • ARKIPEL Stories
  • Catalogues
  • PREVIOUS
    • ARKIPEL 2024: Garden of Earthly Delight
      • ARKIPEL 2024: Garden of Earthly Delights, schedules 2
      • ARKIPEL 2024: Garden of Earthly Delights, Film Selections
      • ARKIPEL 2024: Garden of Earthly Delights Candrawala
      • ARKIPEL 2024: Garden of Earthly Delights IC
    • ARKIPEL 2023: Noli Me Tangere
      • ARKIPEL 2023: Noli Me Tangere – Open Call For Film Submission
    • #9 ARKIPEL 2022 – catch-22
    • #8 ARKIPEL 2020 – Twilight Zone
    • #7 ARKIPEL – Bromocorah
    • #6 ARKIPEL – homoludens
      • Preface: “homoludens”
      • Festival Schedule
    • #5 ARKIPEL – Penal Colony
      • Preface: “Penal Colony”
    • #4 ARKIPEL – social/kapital
      • Preface: “social/kapital”
      • VENUES
      • PROGRAMS (PDF)
      • FESTIVAL FORUM
        • PREFACE
        • SPEAKERS
        • SELECTIONS
    • #3 ARKIPEL – Grand Illusion
      • Preface: “Grand Illusion”
    • #2 ARKIPEL – Electoral Risk
      • Preface: “Electoral Risk”
    • #1 ARKIPEL 2013

Festival Program

 Special Presentation 02: Foreign Textures on The Surface of Space

Special Presentation 02: Foreign Textures on The Surface of Space

09/12/2021

Menonton Permukaan Tak Acuh, Gerakan Pendulum adalah pengalaman merasakan berbagai tekstur permukaan dari benda-benda asing yang secara konstan bergerak mengitari tubuh. Program berisikan 4 filem [...]

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     International Competition 5: Camera as Means to Seize Power

    International Competition 5: Camera as Means to Seize Power

    08/12/2021

    International Competition 5: Penumbral Zone in ARKIPEL Twilight Zone debuted its screening offline and online on Sunday (12/5). Two films in this programs are Hut (2019) by So Ye-hen and Highways [...]

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       International Competition 04: Diving in the Dark and Light Parts of a Shadow

      International Competition 04: Diving in the Dark and Light Parts of a Shadow

      07/12/2021

      This curatorial at least invites and reminds us to see not only what is on the screen but also the shadow behind it. This shadow can assume the form of a bitter history, a collective trauma or [...]

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         Candrawala: To Witness a Changing Landscape and Frame It

        Candrawala: To Witness a Changing Landscape and Frame It

        07/12/2021

        ARKIPEL presented a number of film curations, one of which was the Candrawala program, in which four films were showed: Katarsis Yang Tak Kunjung Selesai (2020), Di Pinggir Kali Citarum (2019), [...]

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           International Competition 06: The Threatened and Played Camera

          International Competition 06: The Threatened and Played Camera

          07/12/2021

          There are two films shown in International Competition 06: Flox (2019) and Anak Merak (2019). Both films explore the position of the camera in the community it exposes.

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             Kompetisi Internasional 8: Keseharian Sapi-sapi di Hamparan Sampah

            Kompetisi Internasional 8: Keseharian Sapi-sapi di Hamparan Sampah

            05/12/2021

            Diary of Cattle (2019), directed by Lidia Afrilita and David Darmadi, was screened on December 3, 2021 in ARKIPEL Twilight Zone.

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               “Hari Ini Belum Ada Kabar”: A Cross-Island Kaleidoscope of the Pandemic

              “Hari Ini Belum Ada Kabar”: A Cross-Island Kaleidoscope of the Pandemic

              03/12/2021

              Hari Ini Belum Ada Kabar (2021) is a collection of events in the midst of the COVID-19 pandemic that was recorded from the perspective of people in various regions in Indonesia.

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                 International Competition 02: Curse of The User Culture

                International Competition 02: Curse of The User Culture

                02/12/2021

                It is said that the daughter of a monarch remained a virgin to old age because of her beauty, a kind of beauty that intimidated men. On the princess's grave, a flower grew between her breasts, [...]

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                   International Competition 03: Tech Poetics, Experimentation, and Moving Image

                  International Competition 03: Tech Poetics, Experimentation, and Moving Image

                  01/12/2021

                  These eight films offer the new possibility of language, perspective, and creativity that can be achieved by this moving image technology called cinema.

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                     International Competition 01: Tracking the Steps of Tentacled Ghosts in “Many Undulating Things”

                    International Competition 01: Tracking the Steps of Tentacled Ghosts in “Many Undulating Things”

                    01/12/2021

                    In this film, the glass box was imagined as a medium to carry the plants stolen from Asian or African colonies by the colonial invaders, back to their origin countries. Bo Wang and Pan Lu [...]

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