In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

ARKIPEL presented a number of film curations, one of which was the Candrawala program, in which four films were showed: Katarsis Yang Tak Kunjung Selesai (2020), Di Pinggir Kali Citarum (2019), [...]

In the discourse of ethnographic film, representing the subjects living in the periphery will bring forth the experimentation of cinema aesthetics. The experimentation is in parallel with the [...]

To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout [...]

It is not difficult to look away from our socio-political situation; it's as easy as rolling the screen when we face contents unsuitable with our taste as such. Though we ignore them, they still [...]

It's not difficult to look away from our socio-political situation; it's as easy as rolling the screen when we face contents unsuitable with our taste as such. Though we ignore them, they still [...]

Upon the presence of advanced technology, such as smartphones and social media, we have arrived at an expanding audiovisual arena; beyond the activities of recording and being watched, but also [...]

This situation and condition that makes it easier to record, watch, or being watched put those acts inside a boundary, which is accessible and connected in two ways.